ARCHIVE (2004–2022)
< Back



Unidentified Network
2014–2022
Website & Texts
View >






The End of the Day, Part 3 (Griffith Park)
2013
Single-channel HD video, stereo sound
Sound: Noël Akchoté
NTSC, 11:00
Dimensions variable
Images: 2 video stills
View >






A Brief Report on Ellen-Epstein-Straße
2012
Single-channel HD video, stereo sound
Sound: Mika Vainio
NTSC, 4:00
Dimensions variable
Images: 2 video stills
View >






The End of the Day, Part 2 (State Route 139)
2012
Single-channel HD video, stereo sound
NTSC, 14:00
Dimensions variable
Images: 2 video stills






Shelf Life 2 (Postcard Section), Bradbury/Duarte, California (2011)
Double-sided postcard
Edition of 1000 (to be found at various commercial postcard stands in Los Angeles)






Shelf Life 2 (Postcard Section), Charlotte Street, The Bronx, NY (2010)
Double-sided postcard
Edition of 1000 (to be found at various commercial postcard stands in New York City)






Shelf Life 2 (Postcard Section), Ellen-Epstein-Straße, Berlin (2010)
Double-sided postcard
Edition of 1000 (to be found at various commercial postcard stands in Berlin)






Shelf Life 2 (Postcard Section), T3- Along Boulevard Kellermann, Paris, France (2009)
Double-sided postcard
Edition of 1000 (to be found at various commercial postcard stands in Paris)






Rear-Side Economies
2008-2009
20 Digital C-Prints, 13 x 18 cm
Images: Covered Door 006, Chinese Delivery 001






Interactive Architecture
2005-2008
20 Digital C-Prints, 13 x 18 cm
Images: Chef Liu (Doraville, GA), Bank of America (Nashville, TN)







The 74th Minute (A Portrait in 1/115th Time)
2007
DVD video (115 min.), CRT monitor, poster
Dimensions variable
Installation view: Nabit Art Gallery, University of the South, Sewanee, TN (USA)

Every 74th minute, a small monitor (with an otherwise darkened screen) illuminates to show a 60-second promotion: a once background-actor is now transformed into the central character of a new story. Nearby on the wall, a poster advertises the event.






Shelf Life 1 (Inventory Design)
2007
Images: 2 documentation photographs

From a major retail bookstore in New York City, a selection of contemporary art publications was purchased, and then transported and returned (for a full refund) to a secondary market (and less well-stocked) location of the same store.






Design Flaw 2
2005
Custom monochrome jigsaw puzzle, chairs, table
Dimensions variable
Installation view: Rita K. Hillman Education Gallery, The International Center of Photography, New York City, NY (USA)






Design Flaw 1
2005
80 ethernet cables
Dimensions variable
Installation view: ICP-Bard College Studio Gallery, Long Island City, NY (USA)





Retransmission
2004
4 digital-image files, script, laptop computer, digital projector
Images: Documentation materials from a lecture-performance held at the School of the International Center of Photography, NYC (USA).

In an attempt to learn more about an old friend, a technical translation device was purchased from an inflight magazine of a major airline. By transcribing the various emotions of our beloved animal companions into (English, Japanese, or Korean) phrases, this new technological device aimed to allow people to finally find out what dogs had on their minds.

The lecture-performance, created about and around this device, offered one possible outcome: a tragicomic tale of communication, confusion, and loss, in our new 21st-century digital age.






The End of the Day, Part 1 (Schwedter Straße)
2004
Single-channel DVD video, stereo sound
NTSC, 7:00
Dimensions variable
Images: 2 video stills

The first in a series of works highlighting the end of the day, this video, shot in a transitional section of (former) East Berlin, follows the quotidian activities of several characters: a man rests in a chair and a girl journeys to an unknown destination, while a bicyclist surveys a used-car lot and a family makes their way home for the day.

Within this mixed-use and societally undefined location, situated between the historical past and an uncertain future, a small collection of characters journey through the physical and psychological “no man’s land” that often appears in the time and space found between work and leisure.




< Back